In this weeks episode of the Jamie Lee Curtis Horror rewatch, Cory and Nathan have two tickets to terrifying torment as they hop aboard “Terror Train”.


Terror Train (1980):

At a college pre-med student fraternity New Year’s Eve party, a reluctant Alana Maxwell is coerced into participating in a prank: she lures the shy and awkward pledge Kenny Hampson into a darkened room on the promise of a sexual liaison. However some other students have placed a woman’s corpse (stolen from the university medical school during the Christmas vacation) in the bed instead. Kenny is traumatized by the prank and is sent to a psychiatric hospital.

Three years later, the members of the same fraternities and sororities hold a New Year’s Eve costume party aboard a train. Class clown Ed is disguised as Groucho Marx; Prank ringleader Doc Manley is disguised as a monk; Jackson is disguised as an alien lizard. Doc’s girlfriend, Alana’s best friend Mitchy, is disguised as a witch. Alana’s boyfriend Mo is disguised as a bird. Also along are Carne, the train conductor, and a Magician hired to entertain the crowd.

Ed is murdered prior to boarding and the killer dresses himself in Ed’s Groucho Marx mask, allowing him to board the train unnoticed. As the train journeys into the wilderness, the killer wanders amongst the students, who believe him to be Ed. In the sleeper bathroom, he murders Jackson by smashing his head into a mirror. Carne finds Jackson’s bloodied body in the bathroom, still donning the reptile costume. When Carne returns to the scene with the brakemaster Charlie, the killer has hidden Jackson’s body and is now wearing the reptile costume himself; he appears conscious, and Charlie assures Carne that the partygoer was merely drunk.

Mitchy goes with the killer, whom she believes to be Jackson, to a compartment where she attempts to seduce him. As she closes her eyes, he caresses her with Jackson’s severed hand before murdering her. Carne subsequently finds her corpse in the compartment with her throat slashed. Alana stumbles upon the scene, and Carne informs her that Mitchy is dead. During a magic show held by the Magician and his female assistant, Doc finds Mo stabbed to death, though the partying onlookers assume the scene to be a prank. Carne stops the train and sequesters the students in one car; while doing so, two pullman porters find Pet’s dead body. Alana recalls the prank to Doc, and recounts her attempt to visit Kenny at the psychiatric hospital. Doc then seals himself inside a room in the sleeper car where the killer is hiding, and is murdered; shortly after, Alana and Carne find his decapitated body. Believing the Magician may be Kenny in disguise, Alana notifies Carne, who goes to lock him inside the parlor car; there he finds the Magician’s female assistant, but the porters are unable to find the Magician.

Alana is sequestered in a locked compartment for her safety, which the masked killer infiltrates with an axe, and she is pursued through the train. While in-between cars, she manages to push the killer overboard, unaware that he has managed to hold on below. After finding the Magician’s body in his sword box, Alana runs through the train car and finds Charlie seated with his head resting in his hands. She tells him the Magician is dead, and lays her head on the table, when he grabs her by her wrists. As she looks up, she realizes it is Kenny dressed in Charlie’s uniform. He removes the cap, revealing a blonde wig, and Alana realizes he had been posing in drag as the Magician’s female assistant.

Alana apologizes to Kenny about the prank, but he refuses to accept and forces her to kiss him; the kiss causes Kenny to relive his memories from the prank and drives him deeper into insanity. Carne rushes to the scene and beats down Kenny with a shovel, causing him to fall out the open door of the baggage car to his presumed death. His body lands in a nearly frozen river and floats away as the train roars off.


Yet again, this film is a perfectly good watch. It’s directed well, acted well, shot well, there isn’t anything overwhelmingly terrible here. Given this is director Roger Spottiswoode’s debut film, he proves himself very capable. The camera is used to good effect, traveling up and down the narrow halls and digging into the corners. Now, the killers motivations leave a bit to be desired, but all in all, it’s a tension filled romp. Recommend.

What’s Up Next?:

We turn our attention back to the franchise that got Jamie Lee Curtis her start and rewatch “Halloween II.”

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